Niño de Elche y Pedro G. Romero, los agitadores del flamenco: "Es tremendo que los gitanos, eternos perseguidos, sean el símbolo de España en el extranjero"

The exhibition 'continents like seeds' explores the origins of flamenco through the mantón de Manila, highlighting its colonial roots and cultural significance. Artists Niño de Elche and Pedro G. Romero aim to deconstruct flamenco's narratives, emphasizing its popular and hybrid nature. They argue that flamenco reflects a complex history of colonization and cultural exchange, challenging traditional views of Spanish identity. The project, part of the Sydney Biennale 2024, incorporates various artistic forms to reinterpret colonial stories and the mantón's role in Spanish culture. The artists advocate for a deeper understanding of flamenco's diverse influences and its evolution beyond simplistic nationalistic interpretations.