The supportive gazes

The article reflects on the continuous rediscovery of images and their ambivalence, emphasizing the connection between photography and cinema. It discusses José Bértolo's work, particularly his project "365," which captures daily moments over a year, highlighting the intimate and solitary nature of his photography. Bértolo's perspective on images as a bridge between life and death is explored, contrasting it with the superficiality of media portrayals of death. The author appreciates the depth and individuality in Bértolo's work, suggesting that each image encapsulates a unique moment of solidarity and connection.