<em>You Can See Everything</em>: a televisão invadiu o cinema?

The film "You Can See Everything" explores Elizabeth Holmes' life before her imprisonment, blending documentary and narrative styles. Nathan Fielder's involvement adds a layer of complexity, as he navigates the ambiguous morality of Holmes and her associates. The film reflects a growing audience interest in real-life stories over traditional fiction. It also highlights the evolving relationship between cinema and television, with streaming platforms influencing production and distribution. This shift is evident in the film's aesthetic, which aligns more closely with television than traditional cinema.