The essay "OnlyFans, the capitalism of desire" rejects the false promises of a giant in online pornography

OnlyFans, launched in 2016, allows creators, mainly women, to monetize explicit content through subscriptions, taking a 20% cut. While it claims to improve sex work conditions, sociologist Pierre Brasseur argues it perpetuates economic precarity. This theme is echoed in HBO's Euphoria, where a character faces pressure to produce increasingly sexualized content, reflecting the platform's competitive nature.